Ada Limón – Sharks in the Rivers
The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her family’s roots in ...
The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her family’s roots in ...
Bright Dead Things examines the chaos that is life, the dangerous thrill of living in a world you know you ...
A RACE FOR THE STOLEN PHALLUS OF A NAMELESS GOD
Młody chłopak, świeżo po studiach, znudzony życiem postanawia zgłosić się do programu telewizyjnego aby za pomocą pieniędzy, które może ewentualnie...
Pięściarstwo to jeden z najstarszych sportów uprawianych przez ludzi, o czym świadczą pochodzące z piątego tysiąclecia przed naszą erą relacje...
Interior features on 18 creatives from Antwerp to New York, who all have one thing common, namely a passion for...
The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her family’s roots in Mexico, from a dying parent, from her prior self. The world is always in motion — both toward and away from us—and it is also full of risk: from sharks unexpectedly lurking beneath estuarial rivers to the dangers of New York City, where, as Limón reminds us, even rats find themselves trapped by the garbage cans they’ve crawled into. In such a world, how should one proceed? Throughout Sharks in the Rivers, Limón suggests that we must cleave to the world as it “keep[s] opening before us,” for, if we pay attention, we can be one with its complex, ephemeral, and beautiful strangeness. Loss is perpetual, and each person’s mouth “is the same / mouth as everyone’s, all trying to say the same thing.” For Limón, it’s the saying—individual and collective — that transforms each of us into “a wound overcome by wonder,” that allows “the wind itself” to be our “own wild whisper.”