Tomasz Polański – Ancient Greek orientalist painters. The literary evidence
Sappho loved the glamour of the Lydian ladies, with their stylish apparel and cosmetics. The soldier Alcaeus could not help ...
Sappho loved the glamour of the Lydian ladies, with their stylish apparel and cosmetics. The soldier Alcaeus could not help ...
Zaginięcie pewnej kobiety odsłania sieć tajemnic w pozornie spokojnym miasteczku, w którym wszyscy wiedzą o sobie wszystko.
Przedmiotem badań są procesy urbanizacyjne, a więc złożone, wszechstronne i trwałe przekształcenia o uniwersalnym oddziaływaniu, zachodzące na wielu
Kontynuacja bestsellerowej serii Kenia! Zbiorcze wydanie wszystkich pięciu tomów przygodowo-fantastycznego cyklu Namibia. Na odległym krańcu Afryki, w Namibii, dochodzi do...
Sappho loved the glamour of the Lydian ladies, with their stylish apparel and cosmetics. The soldier Alcaeus could not help admiring a Babylonian shield. The anonymous Corinthian miniaturist vase painters were apparently enchanted by the colours, shapes and designs of Syrian, Mesopotamian or Anatolian fabrics, leather, or works wrought in bronze, silver or gold, adorned with fantastic hybrid creatures. They all expressed their fascination in verse or the figural arts. Their works are exactly what I mean by „Orientalism” as a component of literary or figural style. Through their work the Hellenic craftsmen and poets expressed their fascination with foreign exotic forms, adapted to a different style, based on different artistic doctrines. Consequently my perspective is one taken by an outsider by one who directly or indirectly accedes to and establishes contact with a world that remains unknown or almost unknown to his own paideia or basic, standard education within hist indigenous cultural milieu.